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9. MIDDLE-CLASS AMERICA TRIUMPHANT

HOWEVER ... THE COLD WAR HITS HOME


CONTENTS

Authoritarianism as the new threat

American intellectuals under suspicion

Arthur Miller's play, The Crucible


The textual material on this webpage is drawn directly from my work
        America's Story – A Spiritual Journey © 2021, pages 274-285.

AUTHORITARIANISM AS THE NEW THREAT

But all was not sunny in Middle America.   As the Cold War developed, and Americans watched country after country in East Europe fall under Russian influence – in most cases by political maneuvering within those countries by Soviet-backed local politicians (that fear even extended to France and Italy after huge Communist uprisings in both countries in 1947 were put down only with much effort) – America began to be concerned about the extent and intent of Communism planted in America itself.

Authoritarianism as the new threat.
 It seemed as if Americans had fought in the recent war to destroy the authoritarian regimes of Germany, Italy and Japan only to have those threats to the peace and prosperity of the larger world replaced by a new authoritarian regime:  Stalin's Soviet Russia.  Great concern developed within Middle America that there was some kind of global historical trend that seemed to be pushing civilization in this direction.  And that concern increased enormously with the publishing in 1949 of the English author George Orwell's book, 1984, which portrayed a world in which the very thought process of the world's people had been taken over – thanks to fast-rising modern technology – by "Big Brother."

Panic set in as Americans considered the possibility that this might be happening right there in America, right there under their own eyes, subtly manipulating the thought processes of vulnerable people into authoritarian compliance.  That seemed to have been the very pattern of Communism's spread through East Europe.  And it seemed to be part of the ideological fires that burned within Western Europe's labor movement as well.

Thus this same concern hit America as it considered its own labor movement – conducting (in the early post-war years) labor strikes and strife that looked way too much like those labor maneuverings that had brought Communism to power in Soviet-dominated Eastern Europe.

And also there were the numerous American intellectuals who, during the Great Depression, had loudly identified themselves as strongly anti-Capitalist and pro-Socialist.  Where did they stand on such matters today?  Where were their loyalties now to be found in this post-war world?


AMERICAN INTELLECTALS UNDER SUSPICION

Leading this inquiry into the Communist involvement in America was the House Un-American Activities Committee (HUAC), conducting Congressional investigations not only into the labor movement and the world of socialist intellectuals but also into the movie industry – which had produced a number of films now considered to have strongly Leftist messages.  This would come to include even the U.S. government itself, when accusations came out in 1948 that high-level officials in the Roosevelt Administration had been spying for the Soviets.

This matter turned itself into extensive social paranoia on the part of Middle America, met on the other hand by the scorn and disgust against Middle America on the part of Intellectual America.  When actors began to be blacklisted and refused roles in Hollywood's world (ultimately some 300 individuals were blacklisted, including even famous actors), Hollywood protested that this kind of authoritarianism was what America itself was supposed to be combating – not embracing.

Then when senior U.S. Treasury official Harry Dexter White (who was a key figure at the 1944 Bretton Woods Conference setting up the new United Nations) and Alger Hiss (a top State Department advisor at the Yalta meeting designing the post-war world) were accused of being spies for Soviet Russia, America lined itself up into two opposing camps.  Intellectuals were convinced that this was only a form of witch-hunting on the part of unenlightened individuals from the American Middle Class – simply resentful of these individuals because of their highly talented backgrounds (the highly educated White, for instance, was a product of Columbia, Stanford and Harvard University educations – and 
Hiss was a Johns Hopkins University and Harvard Law School Graduate).

Particular resentment by intellectuals was aimed toward the freshman Congressman and HUAC member Richard Nixon, who refused to relent in his investigation of Hiss... which eventually led to the conviction and imprisonment of this polished diplomat – to the dismay of Hiss's fellow intellectuals.[1] 

Also, when suspicions turned towards some of America's scientific community – whom Americans had assumed possessed the highest integrity of all people – the nation was shocked.  Intelligence work had cracked the Soviet code and discovered that nuclear scientist Klaus Fuchs was a Soviet spy.  He in turn named David Greenglass and Julius and Ethel Rosenberg as spying for the Soviets while helping to develop America's nuclear weapons.

There were others as well, accused and ultimately convicted of spying in the early 1950s, though only Julius and Ethel Rosenberg were executed – despite the huge international call for clemency (they claimed innocence to the end).
[2] 

McCarthy cultivates a Red Scare.  At this point a loud, accusatory voice in the U.S. Senate became even louder, as Senator Joseph McCarthy in early 1950 began whipping up American fury at this "treachery in high places."  McCarthy accused (without any specific details) the American diplomatic corps broadly, then the American civilian government in general, and then finally, by 1954, even the US military, of being loaded with Communists who were secretly subverting America.  With this, the Red Scare was whipped up so as to turn in every direction.

American intellectuals fight back.  The Red Scare hit especially hard America's intellectuals – who were known to have "fancy ideas" about the need for social reform – ideas which seemed overly critical, even unpatriotic, even treasonous, to fiercely patriotic middle-class Vets.  The Vets therefore were (with McCarthy's help) easily led to believe that this class of intellectuals formed a conspiratorial group seeking to overthrow the nation and everything it stood for.  Needless to say, the intellectuals did all that they could do to fight back – though it had to be done cautiously, very cautiously.


[1]Actually, in the opening of the Russian archives after the collapse of the Soviet Union in the early 1990s, it was confirmed that in fact both White and Hiss had been spying for Stalin.

[2]Again, with the fall of the Soviet Union, it was finally revealed that indeed the Rosenbergs (or at least Julius Rosenberg) too had been spying for the Soviets.


ARTHUR MILLER'S PLAY, THE CRUCIBLE

An example of this was when in 1952 playwright Arthur Miller's close friend Elia Kazan, in a hearing before the HUAC, specifically identified eight members of his Group Theater as Communists.  Miller was so offended by this betrayal that he responded the next year by writing a play, The Crucible. Miller felt that he dared not answer the Communist witch-hunt going on around him at the time directly (that would have been dangerous), but instead, wrote about a similar betrayal when citizens of Salem, Massachusetts, turned on each other during the infamous witch trials of 1692-1693.

In a not-too-subtle way, this challenged deeply not only the mindset of 1950s Middle America, but also even more deeply the very Puritan-Christian cultural foundations that Miller (and numerous intellectuals) were certain was behind this Middle-American paranoia.

Actually, the play would not do well when it first came out.  But in the 1960s, when America found itself moving into a whole new cultural realm, the play would finally find a very enthusiastic audience.[3]


[3]At that point the play became required reading in most high school American literature courses across the country, helping to turn young Americans away from their nation’s cultural roots founded deeply in Puritan Christianity.




Go on to the next section:  Eisenhower's America


  Miles H. Hodges